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国外对颤音（轮指）的理解
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来源：本站原创 作者：fling_dr… 发布时间：2011-01-01
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How to play great tremolo
如何弹好颤音（轮指）。
1)
What is tremolo?
什么是颤音
Tremolo is not a technique. It is an effect produced when a certain type of arpeggio is employed.
颤音不是一种技巧，只是某种的琶音的表现形式。
trem·o·lo
n. pl. trem·o·los
A tremulous effect(!) produced by rapid repetition of a single tone (arpeggio)
一种颤音的表现是通过快速的弹奏一个单音达到的效果（琶音）
Throughout this article I will treat this effect as any other arpeggio pattern. It should not be considered as else.
通过这篇文章，我准备像介绍琶音一样来介绍颤音。因为他不应该被认作是其他的技巧。
2)
What is arpeggio?
什么是琶音？
Arpeggio is in essence the alternation betwen fingers plucking the strings in succession.
It is the base of RH technique, the absolute fundamental necessity for playing guitar and other plucked instruments.
琶音在本质上说是一种用手指在琴弦上交替弹奏的过程。它是RH技术的基础（rh=右手），更加是吉他和其他弹拨乐器的必备基础。
Therefore it should be practiced with fundamental care as this technique is underlying every other action performed on the guitar.
A guitarist wants to achieve skills in scales, chords, tone and arpeggio.
因此应该用心把它作为一项吉他技巧中的基础练习。吉他的技巧包括：音阶、和弦、音色和琶音。
Speed is no technique, and shouldn't be sought after in the same way as the four base skills. Theres an article about speed in 'Guitar Classes'
速度不是一种技巧，不应该列入以上的四种基本技巧当中。有专门关于技术的文章在“古典吉他”中。
3)
How do I practice arpeggio (arp.)?
如何练习琶音？
By correctly employing arp. patterns and practice them daily. Easy, eh?
答案是正确的琶音形式和每天的练习。很简单，不是吗？
Think of all the combinations you can play with your p, i, m and a fingers and multiply them with the number of strings on your guitar and then with the number of notes in succession.
通过思考多种的组合，你可以运用你的p、i、m和a指在不同的琴弦上和不同的音符来弹奏出一系列的琶音。
Quite a few of these patterns can be discarded as useless towards the absolute most of the guitar repertoire. Some are basic exercises, which patterns concerned are to be found in most pieces and some are for the user to decide whether is relevant or not.
其中很少的组合可以作为与吉他曲目无关的组合而忽略。其他一部分与很多曲目相关的组合可以作为基础练习，另外一部分可以由自己决定是否与曲目相关而采用。
Relevancy is a key question in practicing arp. Given that basic exercises are employed daily it is of the highest importance to decide which arp. patterns is the most beneficial towards current and planned repertoire. Theres no better way to waste time and effort than when playing etudes and exercises that aren't relevant to any pieces of music.
相关性是一个在练习中很关键的问题。如何设定琶音的日常基础练习形式很大程度上取决于这个形式对你正在练习的或者准备练习曲目有多大的益处。把时间浪费在学习和练习一些与乐曲无关的琶音形式上不是一种好的方法。
A good way to decide what etudes and exercises one should practice is to look for similarities in ones repertoire and the library of etudes/exercises available.
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