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国外对颤音（轮指）的理解
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来源：本站原创 作者：fling_dr… 发布时间：2011-01-01
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决定练习些什么的好方法是在乐曲中寻找相似的常用的内容或者看一些有助于学习的书籍。
Setting up a 'base' repertoire for etudes/exercises is slightly harder. Here one has to apply some common sense towards what ones goal and expectations of achievement is and just go by experience. One should pay attention to which combinations that are lesser used by the RH and strengthen these. This will in turn have a great impact on your playing and general technique. I.e. the a-m-a combo often is sub par.
创造一些基础的练习曲目有点困难。这里人们对于如何达到目标有一个共识就是积累经验。人们应当注意到一些不常用的右手组合，并且去加强对他们的练习。这样的组合会对你的演奏和一些基本技巧起到很大的影响。例如a-m-a的组合。
I'm not particulary fond of giving examples on exercises, people tend to play through them and ask "whats next". Instead I want you to ask yourself "how can I use this information to improve my playing?".
我不是特别喜欢举一些练习的范例，人们习惯于按照这些来练习，然后询问下一个是什么。取而代之的是我想让你问问自己“我应该如何运用这些信息来提高自己的演奏水平”
A good starting point would be to download Giulianis 120 Right Hand Exercises here
一个好的起点可以通过练习朱利亚尼的120首右手练习曲开始
Also for advanced guitarists some of the Villa-Lobos etudes are great.
同时高级学者可以学习一些维拉.罗伯茨的教材。
The size of this base exercise repertoire is subject to what one wants to achieve. Again this is something one has to experience for oneself.
这种形式的练习曲更加贴近人们想要达到的目标。反复的练习可以积累更多的经验。
Note that Giulianis and other arp. exercises are by their simplicity highly effective, and can therefore be the highway to carpal tunnel syndrome and fatigue.
要注意到尽管朱利尼亚的和其他一些琶音练习简单实用，但是容易导致手腕因疲劳而引起一些综合并发症。
A short article about tension and methods to get rid of it is on the way.
曾经有一篇短文介绍过关于紧张和如何克服紧张，
4)
how do I practice arp. to achieve great and fast tremolo?
我应该如何练习琶音以达到好听快速的颤音。
Here's a recipie:
以下是一些回复：
- Build a good arp. base, Giulianis exercises will suffice
打下良好的琶音基础，朱利尼亚的练习会很有帮助。
- Find or make exercises relevant to tremolo. These should cover all combinations of P, I, M and A. (e.g: p-a-m-i and rotation, p-m-i-a and rotation, p-i-m-a and rotation, p-a-m-i-m and rotations, p-m-a-m-i and rotations, and so on...)
寻找或者制定一些和颤音相关的练习。这些练习应该包含所有p\i\m\a的组合。例如pami,pmia,pima,pamim,pmami,等等。
[Why all these combos when all you need is p-a-m-i? In order to build a proper arp. which in turn leads to tremolo you have to do combos, or else you'll invest time in some bastard technique that can't be controlled regarding tempo, tone and such. Proper arp. leads to total control and fluency of the tremolo]
为什么要练习所有组合而颤音只需要pami一种就可以了。这是为了形成一种能达到完美的颤音效果而必须去练习的琶音组合。否则你可能会把时间用在一些对颤音，音色没有帮助的练习上面。完美的琶音才能形成独立流畅的颤音。
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