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国外对颤音（轮指）的理解
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来源：本站原创 作者：fling_dr… 发布时间：2011-01-01
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-Explore proper finger movement. The most popular approach is the staccato tremolo. Playing staccato slowly when intonating the arp pattern will make you prepare the string as fast as possible, making for the potential of speed, control and fluency much greater. Pair this up with relaxation (more about that in the 'Speed' article).
探索合适的手指运动。现在最流行的方法是断音练习。缓慢的弹奏断音，可以让你在弹琶音时尽快地找到琴弦，为以后提高速度，控制独立性和流畅性有很大的帮助。同时要注意放松自己。
- Practice these every day. Do not play with a metronome to increase speed. Instead aim to achieve full control and different palettes of tone colour. This goes for all arpeggio exercises: Never aim for speed.
每天坚持练习。不要为了提高速度而弹琴。而应该以控制和区分不同的音色为目标。这是对琶音练习的建议，不要以速度为目标。
Tremolo is no great technique, it's just an effect that every other guy with some discipline and knowledge towards his exercises can get.
颤音不是什么了不起的技巧，它仅仅一种每个人都可以根据一些规则和知识练习并掌握的弹奏效果。
以下是对文中关于断音的一些解释：
staccato is when you play notes separate from each other... it's the oposite of legato ... legato=conected (laaalaaalaaalaaa)... staccato=separate(la la la la)...
断音就是当你弹奏音符时要把他们分开，和连奏正好相反。连奏的感觉是(laaalaaalaaalaaa)... 断奏是(la la la la)...
We use staccato in tremolo to ensure that the right hand fingers is properly prepared on the string before the next stroke. The choppiness will disappear when the tremolo is sped up.
我们在颤音中使用断奏是为了确定手指在弹奏下一次时在琴弦上已经做好准备。这样波浪感就会在加快速度时消失。
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